One recommendation is that, you’re essentially writing what you like, right? And, assumedly, you don’t want to associate with tropes because you’re simply focused on writing, and/or perhaps want to avoid leaning on the idea too heavily.
But, if you wanted to, you could take a step back from your book and objectively look at what elements and what parts of the narrative you enjoy–and how that relates to other popular works you’ve either liked, or took inspiration from, relating these functions/dynamics back to those tropes.
For example, I have a couple in my story I didn’t really write with tropes in mind, I just wrote them character consistently and didn’t think about what dynamic I was emulating, just creating theirs. However, if I were to step back, I can see that the structure of it does stand out as things to market. My character’s were best friends before getting together, so already that’s friends to lovers in the bag. Likewise, my MC is quiet, strategic, and calculating and that can come off cold to others. The LI is someone whose a bit of a social tactician, charming, and well-liked. Although I wouldn’t say my MC is “grumpy”, she does fit the idea of that, which means I could say there dynamic is grumpyxsunshine.
However, when writing it I tried hard to focus on what my characters, plot, etc. was actually doing from a narrative and thematic standpoint, and didn’t focus too much on subverting specific tropes (unless that’s what I intended to do). In the text, it’s much more dynamic and nuanced. But from a marketing perspective, those are two things I hit. You could do something similar with your book where you examine dynamics and narrative function from a sort of “simplified” lens in order to draw out which tropes you’re hiting and can bank off of.