I noticed that.
What does it consider style in terms of a story?
Stylistic choices can mean a lot of things - PWA doesnāt care about stylistic decisions, or āerrorsā that are done on purpose. It operates based on standard style guides, so flags these things as errors.
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Understood.
Well, I still have the Chrome extension. I doubt it can help me fully.
I have to understand that Red Reign is a draft that is slightly edited as I write. So, it will not look that awful in whatever the final stages are.
Iām not there yet.
Eight. Eight drafts. I dunno thatās what Iāve been told takes at minimum to produce a text. I donāt count, and determining whatās āeditingā is hard since I, like many others here, edit as I write.
I donāt ābraindumpā when Iām working project; I do that beforehand as a writing exercise. On the few occasions I do rewrites, itās usually a rewrite at the beginning to refine the original thought and initial passages. And from there on I continue.
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Eight? Eight drafts? And you write as you edit the story?
In between those drafts, how much time away from the story do you give yourself? Like a breather before you get back into it with fresher eyes?
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Yeah eight minimum. I go over every sentence when I finish writing it. Then every paragraph, then the whole chapter. My editing process comes down to selecting the right order of words in a sentence, and the flow from one sentence to another. My primary concern as a writer is the language I use as opposed to, say, āplotā, āpacingā, āsettingā or ācharacterā. I think focusing on language allows a more effective expression of all these elements.
Most of the time I return to a sentence or paragraph the following day. Sometimes a week. For academic stuff Iām on tight deadlines so I canāt obsess about it too much (I use narrative in my research). For fiction I could go on for months refining and reconfiguring sentences.
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When you say language, you mainly mean that placement and choices of the words? Focusing on the language over the plot, characters, pacing, or setting of your novel, is a means for you to understand how you can word a sentence or paragraph, in a way to understand how the story flows better?
I felt like I repeated, not sure.
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Pretty much. I approach writing as art. I think of it like painting; words are brushstrokes, and words layered upon words, in different sweeps and strengths, produce the image.
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I love how you word that!
Youāre a poet and didnāt even know it!
LOL! 
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6 or 7 and depending on the story it could be 5, but I would say 6 or 7 is a normal amount for me. But that doesnāt mean I always have a ādraft 6ā file. Usually I work on maybe draft 4 or 5 multiple times because by then, Iām not changing a whole lot, so I donāt need to save many different versions.
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Btw, I donāt edit as I go. Pantser here. Draft 1 is just getting everything down. Draft 2 is fixing the flow and filling in plot holes, and fixing any inconsistencies, switching scenes around, cutting massive chunks out and putting massive chunks in.
Draft 3 is refining what I just fixed and maybe adding things to expand if I need. Draft 4 is more of that, just a more polished version. Draft 5 is where I start doing a kind of line-editing and often little filling in things.
Draft 6 and 7 is nearly the final step of self-editing before sending it off to an editor if I do choose to do that, or sending off to a beta reader. Iād likely look up crutch words like, for me Iād look for āsmirkā or ājustā or too many unnecessary uses of āthatā.
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I canāt do that afterwards. If I have to edit an entire draft over 100k without editing as I go, I will lose it.
Though the idea of finishing a novel that I donāt ever edit (unless I feel itās worth it) once itās done gives me delicious shivers.
I am a panster.
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Itās interesting how, despite weāre both pantsers, we come in different flavors
I know a pantser who canāt write anything until she makes a cover with a title which she then refers back to when writing the story.
Can you write a story without a title or do you need one?
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I canāt I genuinely cannot. I canāt even start a chapter without a chapter title. It gives me an unsettling feeling if I donāt, I cannot describe why that is.
I have to name something before I can start it.
Not sure if that is an Audhd thing or a āmeā thing.
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I often see many others saying they need a title before working on a thing, so I donāt think itās something really unusual.
I also need a title for the project, but the difference between you and me is that I can write a chapter without a title. In fact, Iām so in the zone that I canāt bother coming up with a chapter title. It would break my flow. Sometimes, after a writing session, I go back and name all the chapters I wrote. Sometimes, depending on the genre, I donāt and just use numbers.
But I would give a chapter a title if I come up with it while writing that chapter. Otherwise, chapter naming gets put on hold.
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I have to do this too. I have to give the project a unique name, not some random name either. Itās so weird.
I give it a number and a title; Like Chapter 1: Burying Shapes. Even if the title doesnāt represent the chapter, I have to give it a temporary name, until I find one.
I donāt get into the zone until I come up with a title, temporary or not.
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